Some folks say such a program is unnecessary since Adobe Camera RAW and camera manufacturers already provide conversion software.  They also say most adjustments can be made later with Photoshop or the like.  I find that the extra time and expense using Silkypix is well worth it when comparing results side-by-side.  As its name implies, the program produces outstanding images with a smooth silky look.

This tutorial includes basic procedures and settings that work quite well for underwater photography.  Settings on the following examples best emulate the look of images taken with Fujichrome Velvia 50, minus film grain.

The sRGB colorspace is is the industry standard for images viewed on-screen & the web.  It has a limited color range so printed images may not look as good as on-screen.  I recommend outputting files with the Adobe RGB colorspace if you print or sell your work.  Colorspace may also be selected during development.

Daylight or Auto white balance produces the best representation in-camera but you will likely change it using Silkypix.  You should also set saturation, contrast, and sharpness levels to normal and use the lowest ISO possible. 

Text and photographs are copyrighted property of Keoki and Yuko Stender unless otherwise indicated.  No part of this website may be used without permission of the authors.  Images may not be used for any purpose without express permission of the photographers.